Westminster Organ Concert Series
Westminster Presbyterian Church
190 Rugby Road
Charlottesville, Virginia
November 1, 2002 at 8:00 P. M.
Thomas Strauss and Choir
Black Forest Brass
Stephan Boersig, trumpet
Bernhard Muenchbach, trumpet
Raphael Janz, trombone
Thomas Klotz, trombone
Holger Marks, tenor
Michael Klett, violin
Linda Hanson, organ
Program
Concert for two trumpets in C MajorAllegro |
Antonio Vivaldi (1678–1741) |
| Chorale arrangements of “Allein Gott in der Höh sei Ehr” for double choir |
Michael Praetorius (1571–1621) |
| Canzona per sonare No.2 for Brass Quartet |
Giovanni Gabrieli (1577–1612) |
| Psalm 100, “Jauchzet dem Herren, alle Welt
” for double choir and Brass Quartet |
Heinrich Schütz (1585–1672) |
| Antiphon No.1 for Brass Quartet and Organ | Heinrich Schütz |
| Psalm 103, “Nun lob mein Seel,
den Herren” for double choir and Brass Quartet |
Heinrich Schütz |
| Sonata pian’e forte Sacrae Samphoniae – Venice, 1597 for Brass Quartet and Organ |
Giovanni Gabrieli (1577–1612) |
| “Tui sunt coeli” for double choir | Orlando di Lasso (1532–1594) |
Intermission
| March “Scipio” for Brass Quartet | Georg Friedrich Händel (1685–1759) |
| “Ev’ry valley,” from “Messiah”
for violin and organ |
Georg Friedrich Händel |
| Sonate in g minor for violin and organ
Op. 1, No. 10, HWV 368 Andante |
Georg Friedrich Händel |
| Kyrie, for 5-voice choir | Thomas Strauß (b. 1965) |
| Panis Angelicus, for tenor and organ | Cesar Franck (1822–1890) |
From “Magnificat,” BWV 243“Fecit potentiam” |
Johann Sebastian Bach |
The Artists

Thomas Strauß
Thomas Strauß was born 1965 in Ludwigshafen, Germany. He
received his early musical education at the Conservatory of Strasbourg, France. He
attended the State Academy of Music in Freiburg, studying with Hans Musch (organ),
A. K. Klein-Sheljasov (piano) and Klaus Hövelmann (conducting). Further
organ study began in 1990 with Ludwig Doerr, Xavier Darasse and Klemens Schnorr.
Working towards the highest church music degree available in Germany, the „A-Exam,“
Thomas Strauß studied harpsichord with Robert Hill and choral and orchestral
conducting with Hans-Michael Beuerle. He participated in masterclasses with many
acclaimed organists such as Zsigmond Szathmary, Ludger Lohmann, Wolfgang Rübsam
and Daniel Roth. In 1990 and 1991, he received recognition for his outstanding
abilities as an organist by winning major prizes in the National Young Musicians
Competition of Germany and the Conservatory Organ Competition. He was awarded the
degree with honors in 1992. From 1990 to 1992 Thomas Strauß held the position of
principal organist and choir director at the motherhouse of St. Vincent in Freiburg,
Germany. Since 1993 he has been the organist and choir director at St. John The
Baptist Catholic Church in Oppenau. In the same year, Strauß founded the
„Bach Consortium Thomas Strauß,“ a chamber music ensemble, and in 1995 the
„Bach Chor Ortenau,“ presenting larger works such as The Christmas Oratorio,
St. John Passion and St. Matthew Passion by J. S. Bach and Elijah
by Felix Mendelssohn-Bartholdy. He serves as artistic director and conductor for both
organizations and is initiator of the „Festwoche klassischer Musik“ in Oppenau. In
1998 Thomas Strauß and his „Bach Chor Ortenau“ were invited to Shenandoah
University in Winchester, Virginia to perform Bach’s St. John Passion
at the Bach–Händel Festival. In 1997 he had an organ masterclass and
played at that festival as a harpsichordist and organist. In 2000 he concertized as
a pianist with the Freiburg Chamber Choir in Brazil, and accompanied this choir on a
concert tour of New Zealand in the summer of 2002. Since 2000 he has played
piano for the vocal quartet “Quattro Voci.” In 2001 he founded „Festmusik
Thomas Strauß,“ an agency, which specializes in music for weddings, jubilees,
company events and mourning services. This versatile artist also performs with
Wolfgang Bauer, professor, and is principal trumpet player of the Radio Symphony
Orchestra of Stuttgart. He is a harpsichordist in the „Wolfgang Bauer Consort“ and
holds recitals with solo singers as a pianist. Thomas Strauß has performed in
numerous television and radio broadcasts throughout Europe and in the United States.
As an organist, he has recorded CDs with the „hr-brass,“ a group composed of
instrumentalists from the Radio Symphony Orchestra of Frankfurt, a CD with
the „datura-trombone-quartet“ and with The Bach Chor Ortenau as the conductor
for The Christmas. He maintains a private teaching studio and keeps a busy
schedule as a solo performer. Thomas Strauß played the organ and the harpsichord
in concerts in Germany, France, Norway, Italy, Sardinia, Switzerland as well as in
Hawaii and for the ninth time in the United States.

Bach Choir Ortenau
In 1995 when Thomas Strauß first brought together ambitious
musicians, choir directors and singers from the whole Ortenau (an area in the
southwest of Germany/Black Forest) to study and rehearse Johann Sebastian Bach
St. John Passion, they thought that it would be only a single project. But
everyone involved was so enthusiastic and enjoyed the preparations, rehearsals and
the St. John Passion, and the musicians received such approval, this choir
became a permanent institution after its first performance. Because the choir honored
the pieces of Bach and his genius, this project choir was called “Bach Chor
Ortenau.”
Because of the love of detail and fine musical sense, music director Thomas
Strauß tries to elicit from his ensemble in a professional manner. Not the
least of the reasons is that their concert audiences are fascinated and they always
receive superb critical comment. “From heart it will go to heart!” –
this quotation from the great composer and musician Beethoven is equally a motto and
incentive for the choir and its director, Thomas Strauß. The music that they
interpret is a thing of heart – one sees this in the selection of pieces the
choir has performed in its short existence. In those seven years, numerous concert
programs were rehearsed and performed with great success, pieces from such composers
as Rossini, Elijah of Mendelssohn, Fauré, Schütz and of course
Bach (St. John Passion, St. Matthew Passion). A live recording of J.
S. Bach’s Christmas Oratorio led to producing a first double CD. In
particular, the musical talent of director Thomas Strauß was the reason that
the choir, hardly four years after its founding, led to the choir’s giving its
first big concert tour. Invited by Shenandoah University, where in 1997 Strauß
gave an organ masterclass and performed for the first time at the Bach-Händel
Festival, the choir came to Winchester to perform Bach’s St. John Passion.

Holger Marks, tenor
Holger Marks was born in 1972 in Ludwigshafen/Rhein. He received his first
singing lessons at the age of sixteen. From 1993 to 1997 he studied singing under
Mrs. Prof. Marga Schiml at the Staatliche Hochschule für Musik, Karlsruhe.
From 1993 to 1997, he was student of Professor James Wagner in Hamburg. Holger Marks
completed master classes with James Taylor, Helmuth Rilling and Christoph Biller
(Bach-cantatas), Jean-Claude Malgoire (Baroque-Opera) as well as under Joan Morris
and William Bolcom (Jazz). At the opera class of Hochschule für Musik und
Theater in Hamburg, Holger Marks was involved in a number of productions. For example,
he played Baron Kronthal in Lortzings Wildschütz, Julian in
La Verbena de la Paloma by Tomás Bretón and Ferrando in
Mozart’s Cosi fan tutte. Besides numerous contracts in Germany
(Haydn’s Schöpfung, Mendelssohn-Bartholdy’s Elias,
Bach’s Weihnachts-Oratorium, Matthäus-Passion and
Magnificat, Händel’s Messiah, Mozart’s Requiem),
he had opera and concert engagements in Brussels, Amsterdam, Warsaw and Prague, at the
Théâtre des Champs-Elysées in Paris as well as at the Mosteiro
São Bento, São Paulo, Brazil. Moreover he made recordings for radio
stations and television channels in Germany and abroad as well as for CD productions.
The concert is free and open to the public. Ample parking is available behind
the church, and the sanctuary is wheelchair-accessible. For more information, please
contact Linda Hanson at (434) 963-4690.